ABout Us

Uncanny Art House is an independent gallery and creative hub located on Main Street in Norman, Oklahoma. In just over a year, we’ve hosted more than a dozen exhibitions, a variety of immersive events, and now represent over 30 local artists in our retail store.

Currently run by Jennifer Burwell, Julius, Annatova Neches, and Chase Spivey our space originally began as a small alley studio in partnership with Jesse Edgar and Dylan Johnson. It has since grown into a vibrant space for art, community, and collaboration. We support creatives at every stage of their career and provide creative services to small businesses throughout the region.

Our mission is to foster meaningful connections across disciplines in an environment that is inclusive, approachable, and community-driven. Through teamwork, collaboration, and shared vision, we’re building a stronger creative economy in Norman and beyond.

Our community continues to grow and we are inviting you to become part of this space and it’s story! We now offer membership opportunities with a variety of benefits to support the gallery and our artists.

Jump to FAQ

Getting an exhibition

If you have an idea for a solo or group exhibition, we'd love to hear from you! Fill out our Exhibition Application below and we will be in touch!

Please be aware that we book our exhibitions at least 6 months prior to the show date.

  • Yes. While our highlighted exhibition calendar books up in advance, we are always accepting proposals for consideration. We encourage any artist interested in showing with us to submit a proposal regardless of availability, as it allows us to keep your work in mind when planning future programming. When you reach out, we will give you an honest picture of where the calendar stands and what timelines may be realistic.

  • We host a range of exhibition formats including solo shows, group shows, and open calls. Solo shows feature the work of one artist. Group shows are typically brought to us through one point of contact representing a collaborative or collective. Open calls are curated around a theme and invite artists to submit work for consideration as part of that show. The process for each is similar, though open calls have their own submission form with specific guidelines.

  • The first step is filling out our initial exhibition proposal form. This form is non-committal and is simply a way for us to get familiar with your concept, the type of work you are interested in showing, any layout ideas or sketches you have, and examples of your work. It also asks for your preferred timeframe, which we do our best to work with when scheduling.

  • Submitted proposals are reviewed by our exhibition committee. Accepted proposals are then evaluated for scheduling, and you will be notified of your confirmed dates. Those dates include your install period, your opening date, your exhibition close date, and your deinstall and pickup window. We will also walk you through how we promote shows and encourage you to promote alongside us.

  • Yes. Once your show is officially confirmed, you will be asked to complete our artist agreement form. This document covers how your work is hosted in the space, how sales are processed, your payout percentage, and gallery guidelines.

  • We use a press release as the foundation for all promotional content. The press release goes out to news outlets and is then used to create event listings on our website, submissions to community calendars, posts across our social media platforms including Instagram, Facebook, TikTok, Threads, and Google Business, and content for our email newsletter. Promotion typically begins at least three weeks before an opening, with one month being the ideal lead time. If your exhibition includes workshops or classes, those are promoted alongside the show as well.

  • There is typically a two-week window between shows. The first week is reserved for the outgoing show to deinstall and remove their work. The second week is your install period. You are welcome to begin dropping off work during the deinstall week, but the two periods are kept intentionally separate to keep things organized while work is moving in and out.

  • Yes. We are available to support artists throughout the install process. We also offer to hand-paint the title wall for every show, which we find to be more impactful than vinyl. For solo shows, the design is coordinated with the artist. For group shows and open calls, the curatorial team handles the design.

  • Openings are held on the second Friday of the month, aligning with Second Friday Art Walk. This is a consistent part of how we operate, and the opening date for your show will be set accordingly when your calendar slot is confirmed.

  • Deinstall begins the day after your show closes. We will send you a reminder ahead of that period with your deinstall timeline and a window for when you can come retrieve your work. During this time, we handle removing work from the walls, pulling hardware, patching holes, and repainting the walls so the space is ready for the next artist.

Getting your work in our Retail Store

Our retail area carries art & photography prints, posters, stickers, clothing, art supplies, stationary, and unique items that inspire creativity!

If you have something that you've produced that you think our guests would love, then please let us know by using our Consignment Application.

  • The first step is submitting an initial application. It is non-committal and just gives us a chance to learn about you and your work. Once submitted, a member of our team will follow up to confirm receipt and let you know it is in review.

  • Because we are a small team hosting 35+ artists, the review process does take some time. We appreciate your patience and will be in touch as soon as we are able.

  • Not necessarily. Our team reviews each submission and will specify which works we are interested in carrying. We will always be upfront about what we would like to bring into the space.

  • If your work is selected, you will receive direct communication from our team letting you know, along with details on which pieces we would like to carry.

  • Your payout depends on your artist status with us:

    Member artists receive 75% of each sale after processing fees; Uncanny Art House retains 25%.

    Non-member artists receive 60% of each sale after processing fees; Uncanny Art House retains 40%.

    Click here for more information on becoming a member.

  • When one of your pieces sells, you will be notified and receive your payout the following month in accordance with your consignment agreement.

  • The consignment agreement is the formal document that outlines the terms of our arrangement, including the pay structure, how the process works, and the rights of both parties. Both you and Uncanny Art House have the right to end the carrying of your work at any time, and we always aim to communicate openly about any changes ahead of time.

  • If you are interested in having your work produced on items like prints, t-shirts, or mugs, we offer a licensing arrangement. You provide a digital file of your work, and we handle all production through our vendors. For licensed works, the artist receives 25% after fees and Uncanny Art House retains 75%, as we take on all production costs and responsibilities.

  • Before your scheduled drop-off, you will need to submit a complete list of all items you are bringing in through your consignment agreement. This includes the title, price, medium, description, and any other relevant details for each piece. The items you bring in should match exactly what you listed.

  • We strongly prefer that all item information be submitted through the consignment agreement ahead of time. A physical list can serve as a backup, but filling out the agreement in advance keeps everything organized and speeds up the process on drop-off day.

  • Your work will be placed in our physical retail location. Depending on your artist status, it may also be featured in our online store. Member artists have a dedicated section in our online store, and select retail artists are represented there as well.

Teaching a class at Uncanny Art House

Got some skills to share with our creative community? Fill out our Workshop Application to get the party started!

  • The first step is submitting a class proposal form. It is non-committal and simply gives us a chance to learn about you and your teaching idea. Once submitted, a member of our team will follow up within 5 business days to confirm receipt and let you know it is under review.

  • No. The proposal form is an introduction, nothing more. It does not obligate you or us to anything. If we decide to move forward together, we will send a formal Teaching Agreement at that stage.

  • We welcome creatives of all backgrounds and experience levels. If you have a skill, subject, or practice you are passionate about sharing, we want to hear from you. Any style of class is encouraged, in any medium or subject.

  • We accept proposals for one-time workshops, 8-week classes, summer camps, and virtual sessions. If you have multiple class ideas or a combination of formats, you are welcome to include all of them in a single proposal.

  • We aim to follow up within 5 business days of receiving your proposal. We appreciate your patience, as our team is small and our calendar books in advance.

  • A member of our team will confirm receipt of your submission. The proposal is then reviewed internally, and we will follow up with next steps. If we are interested in moving forward, we will send you our Teaching Agreement to complete.

    We keep all proposals on file as we plan future programming. If your class is not the right fit for our current calendar, it does not mean we are not interested. Timing, subject matter, and available space all play a role in scheduling decisions.

  • Your payout depends on your membership status with Uncanny Art House:

    Non-member teachers receive 60% of enrollment after processing fees; Uncanny Art House retains 40%. Artist, Supporter, Patron, and Sponsor Members receive 75% of enrollment after processing fees; Uncanny Art House retains 25%.

    Click here for more information on becoming a member.

  • Classes held in one month are paid out by the 10th of the following month. For example, classes held in September are paid by October 10. Payment is issued through your preferred method as selected in your Teaching Agreement: check, PayPal, or Venmo.

  • Yes. Teachers propose their own cost per student. We may suggest adjustments based on our experience with similar offerings, but the final pricing is a collaborative decision.

  • The Teaching Agreement outlines your class details, schedule, compensation structure, and the terms of the arrangement. As the teacher, you set your own schedule, class size, and pricing. Uncanny Art House provides the space, handles enrollment, and processes payments.

  • We provide the space, enrollment support, and payment processing. We also promote your class through our website, social media, and email newsletter.

  • You are responsible for designing your curriculum, supplying or specifying materials, managing your schedule, and leading instruction. This is a contract position, and you maintain control over your own offerings and schedule.

  • We generally recommend classes of 20 students or fewer, though this can vary depending on the subject and format. We are happy to discuss larger class sizes on a case by case basis.

  • Yes. You are welcome to propose multiple classes or session types. If submitting more than one class in your proposal, please number each one and describe them separately.

Hosting an event of Benefit

Still have questions? Take a look at the FAQ or reach out anytime. If you’re feeling ready, go ahead and apply.

  • Yes. In addition to our standard exhibition programming, we partner with individuals and organizations to host in-kind exhibits and fundraising shows. These are typically shorter in format, ranging from a single night event to an online auction, and are centered around raising support for a cause, organization, or individual in need.

  • Fill out our in-kind and benefit show inquiry form. This form asks for information about the proposed fundraiser, the beneficiary, the type of event you have in mind, and any details that will help us understand the scope and goals of the show. From there, we will follow up to discuss next steps and whether this is something we can move forward with together.

  • Fundraising shows at Uncanny Art House generally take one of two formats. The first is a one-night benefit event held in the gallery, where work is displayed and available for purchase or donation with proceeds going toward the designated cause.

    The second is an online auction format, where work is submitted digitally and bidding takes place over a set period of time. We are open to exploring formats that best serve the goals of the fundraiser and the needs of the submitter.

  • Anyone with a clear benefit in mind is welcome to submit. This could be an artist raising funds for a cause they are connected to, a nonprofit or community organization, or an individual advocating on behalf of a person or group in need. We review each proposal to make sure it is a good fit for our space and our community before moving forward.

    Once all details for the benefit are confirmed, organizers will be sent a benefit agreement that ensures a clear understanding of all details discussed between collaborators are solidified and agreed upon.

  • This is something that is discussed during the initial conversation after your inquiry is submitted. Our goal with in-kind and benefit shows is to keep barriers low, and we work with submitters to find an arrangement that makes sense given the nature of the cause and the format of the event.

General event faqs

  • Yes. In addition to our standard exhibition programming, we partner with individuals and organizations to host in-kind exhibits and fundraising shows. These are typically shorter in format, ranging from a single night event to an online auction, and are centered around raising support for a cause, organization, or individual in need.

  • Fill out our in-kind and benefit show inquiry form. This form asks for information about the proposed fundraiser, the beneficiary, the type of event you have in mind, and any details that will help us understand the scope and goals of the show. From there, we will follow up to discuss next steps and whether this is something we can move forward with together.

  • Fundraising shows at Uncanny Art House generally take one of two formats. The first is a one-night benefit event held in the gallery, where work is displayed and available for purchase or donation with proceeds going toward the designated cause.

    The second is an online auction format, where work is submitted digitally and bidding takes place over a set period of time. We are open to exploring formats that best serve the goals of the fundraiser and the needs of the submitter.

  • Anyone with a clear benefit in mind is welcome to submit. This could be an artist raising funds for a cause they are connected to, a nonprofit or community organization, or an individual advocating on behalf of a person or group in need. We review each proposal to make sure it is a good fit for our space and our community before moving forward.

    Once all details for the benefit are confirmed, organizers will be sent a benefit agreement that ensures a clear understanding of all details discussed between collaborators are solidified and agreed upon.

  • This is something that is discussed during the initial conversation after your inquiry is submitted. Our goal with in-kind and benefit shows is to keep barriers low, and we work with submitters to find an arrangement that makes sense given the nature of the cause and the format of the event.

benefit show faqs

Our Team

  • Portrait of Jennifer Burwell of the Uncanny founding members

    Jennifer Ball-Burwell

    Patron Owner

  • Portrait of Chase Spivey of the Uncanny founding members

    Chase Spivey

    Uncanny Art House & Uncanny Media
    Creative Director

  • A woman with short dark hair, wearing a striped shirt and a earring, sits against a brick wall while another person holds a prosthetic limb close to her face.

    Julius

    Gallery Manager & Multimedia Specialist

  • A man with curly hair and an earring in his left ear is painting on a large canvas with a thin brush in a studio or art space.

    Chris McDaniel

    Gallery Facilitator

  • A woman with a floral headband and earrings, holding a snake, looking off to the side. Black and white photo.

    Annie Wymore

    Uncanny Media
    Social Media Specialist

  • Portrait of Annatova Neches of the Uncanny founding members

    Annatova Neches

    Patron Artist

  • Black and white close-up photo of a smiling man with short, light hair and a beard, standing against a brick wall.

    Bryce Holland

    Uncanny Media
    Videographer

  • Portrait of Dylan Johnson of the Uncanny founding members

    Dylan Johnson

    Photographer and Co-Founder

  • Jordan Wayne

    Uncanny Media
    Web Developer

  • Laine Bergeron

    Uncanny Media
    Video Editor